Enter Yes™ pushes the boundaries of film, virtual reality and animation to create award-winning content. We centre on the interpretation of emotion and creativity in digital media, intersecting new and old media techniques to create a dense rich visual language.
Established in 2016 and founded by Kris Kelly of Blacknorth Studio (2010-2015), Enter Yes™ provides an animation and digital service for national and international film and television clients including BBC, HBO, Disney, Sony, TriStar Pictures, Erica Starling, Indie Move Productions and have created and produced the BAFTA nominated Here to Fall and current BFI-backed production Winnie and the Wolf King.
Enter Yes™ is made up of a highly experienced team of BAFTA, RTS and Emmy award-winning directors, producers, creatives and developers with an extensive portfolio of highly-acclaimed projects.
On offer is an expansive range of in-house solutions which include: motion capture, concept design, pre-visualisation, shoot supervision, compositing, 3D effects, CG effects, 3D and 2D animation, motion graphics, software development, AR/VR and experimental production, live action production and grading.
We tell your stories.
We are Enter Yes™.
Founder and Managing Director, Kris has over fifteen years experience in the media industry and received international acclaim when Living with Alcohol (BBC, 2010) won a BAFTA for Best Factual Programme in the same year. Following this, My Autism and Me (BBC, 2012) went on to win the International Emmy for Best Kids Factual (2013) in Cannes and the RTS Craft and Design award (2012).
He was writer, director and producer on BAFTA nominated Here To Fall which was also nominated for Best Short Animation at the 2013 Raindance Film Festival and won Best Animation at Darklight in 2012 and the Don Quixote Prize at the Galway Film Fleadh 2013.
Kris creates original films and content by considering the impact and possibilities of digital media on our every days lives.
Involved in the creative industry for over ten years, Ross has established himself as a talented film, television and digital producer. He has a passion for meaningful entertainment, purposeful media, and cutting-edge technology and pairs this with a track record of cross-functional leadership, impeccable organizational and project management skills. This means each project can be completed seamlessly on time and of the highest calibre and ensures the clients' needs are considered and then are exceeded upon delivery.
His knowledge and experience working with live action, animation, motion graphics and VFX allows Ross to work closely with the creative team and convey compelling stories. He headed the team on the BAFTA nominated Being Me (BBC, 2016).
Ross is an excellent communicator with great creativity with a powerful ability in story-telling.
Moving from studio life to agency life then back again, Vicki has a vast background of clients and experience that allows her to take ownership and responsibly for overseeing the entire project life-cycle; effortlessly moving from concept through production, post, review, and launch phases. Her years of experience when creating accomplished productions that contain live action, animation, motion graphics and VR/360 video means that Vicki can work across all projects within the studio.
Her track record is flawless when it comes to project management. This results in a high level of accountability, a high quality of client services, an understanding and appreciation of high production values, a knack for creative problem solving and the ability to thrive in a fast-paced creative team environment. Managing multiple work streams and developing creative and strategic plans with cross-functional teams, Vicki ensures that the each brief is met, the clients’ needs are considered and managed and the best story is produced and told.
The dedication and ability Tom displays as Technical Director ensures our creative and technical teams achieve the highest level of success in our animation, immersive, conceptual and interactive experiences.
Tom is responsible for providing support to our artist teams in a variety of areas including writing tools to facilitate the CG animation process, acting as a liaison to the software developers and front-line artist support. His passion and technical curiosity allows him to look at production systems holistically and visualize the larger pipeline, understanding the impact of each action and how to optimize processes and tools.
He plays an important role in the ongoing efforts of Enter Yes™, helping to push the boundaries of what we're capable of producing.
Fiona manages daily operations in the Enter Yes™ creative department and is responsible for creative works; overseeing all productions, graphic arts, and visual direction. Her attention to detail and knowledge of key demographics allows Fiona to develop seamless creative briefs and design concepts to meet business objectives. With her experience and judgment to plan and accomplish goals, she leads and directs the work of others while maintaining wide degree of creativity and latitude.